Harun Farocki's interest in image systems was above all an interest in the historical relationship between social struggles, technologies, myths and systems of domination. Taking Farocki and Sylvia Wynter as their point of departure, the artist Blaise Kirschner and the author and curator Anselm Franke examine the current reproduction and reconfiguration of the worldmaking, ‘mythopoeitic’ function of modern and a-modern image systems: materials for the anatomy of a newly consolidating fascism.