Kungl. konsthögskolans publikationer
Change search
Refine search result
1 - 21 of 21
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 1.
    Andersen Gorm, Simon
    Royal Institute of Art.
    Suppe og andre aspekter: Soup and other aspects2013Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [en]

    The essay a small papper book, deals from a personel angle with different aspekts of the artist practice. Up against a suppelogik the essay jumps from subjekt to subject. The first chapter talks about the link between making a snowball and the painting process. Next chapters are working up against the paintingdialogue with the canvas, here are some historical referangser to Guston and Hans Hoffmann. After this the essay have to chapters, one about the potential of humor and one chapter about artistic seduction linked to the artistic production trying to find the border, between the necessary and seduction. 

    Download full text (pdf)
    Suppe og andre aspekter
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
  • 2.
    Anshelm, Isak
    Royal Institute of Art.
    Antropocen i en konstnärlig praktik2016Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Download full text (pdf)
    Antropocen i en konstnärlig praktik
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
  • 3.
    Bowie, Markus
    Royal Institute of Art.
    The Longest Journey2017Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [en]

    The Longest Journey is an experimental Master essay which consists of 27 images with accompanying texts. Part of the images are digital photographs and part of them are images created through a special process involving different software tools – mainly Adobe Photoshop and Google Earth. The texts comment on how the images themselves were created and how one might understand what they are and how they function as aesthetic objects and as potential catalysts for thought.

    Download full text (pdf)
    The Longest Journey
  • 4.
    Dorais, Louis-Jacques
    Royal Institute of Art.
    Sachs, Hinrich (Editor)
    A Written Orality: The Canadian Inuitand Their Language2019 (ed. 1)Book (Other academic)
    Abstract [en]

    This essay belongs to a set of materials published in reference to the transformative developments occurring in the realm of writing and speaking today, as triggered by digital communication. These shifts are part of a cultural process, shaped by structural multilingualism, which is impacting many parts of the globe. Fog Friend Font, the editorial framework for these collected and commissioned materials, was initiated by Hinrich Sachs and Fredrik Ehlin, and published by Humboldt Books, Milan.

    Download full text (pdf)
    A Written Orality
  • 5.
    Eriksson, Fredrik
    Royal Institute of Art.
    Grönteknologi och/eller ekoansvar: Gestaltad genom konst2018Independent thesis Basic level (Higher Education Diploma (Fine Arts)), 300 HE creditsStudent thesis
    Download full text (pdf)
    fulltext
  • 6.
    Eriksson, Fredrik
    Royal Institute of Art.
    Grönteknologi och/eller ekoansvargestaltad genom konst2018Other (Refereed)
    Download full text (pdf)
    Grönteknologi och/eller ekoansvar gestaltad genom konst
    Download (jpg)
    FuilForFuture2
    Download (jpg)
    FuilForFuture1
    Download (jpg)
    Recyclable
  • 7.
    Gesang-Gottowt, Clara
    Royal Institute of Art.
    Essä2013Independent thesis Basic level (Higher Education Diploma (Fine Arts)), 10 HE creditsStudent thesis
    Abstract [sv]

    Att vara konstnär är skrämmande.  Att intensivt jobba med ett konstnärligt arbete innebär att gå in i något till den grad att det bränner. När man går till djupet med en arbetsprocess satsar man allt och man kan göra upptäckter som man inte var beredd på. Att vara konstnär är att våga närma sig sin egen omedvetenhet.  För att göra det krävs mod.

     

    Mellan den tjugotredje mars 2011 och trettioförsta augusti 2012 har skrivandet varit ett rum där Clara Gesang-Gottowt ostört reflekterat över sin arbetsprocess och sitt konstnärskap. Genom att låta orden flöda fritt söker hon det som annars redigeras bort innan det klätts i ord. Som för det mesta med en dagbok har skrivandet ofta skett i stunder av känslosvall. Vissa ämnen och frågor har återkommit:

    Passivitet som förutsättning för aktivitet; minne och seende – hur ett minne föder ett annat precis som en bild föder nästa; vad som är viljan att berätta och vad det är som etsar sig fast när vi tar del av andras berättande.  Varifrån kommer viljan att fortsätta måla? Vad är det som gör att en målning plötsligt fungerar? finns det en universal omedvetenhet och har den i så fall med naturen att göra?

    Essä beskriver en konstnärs situation i början av sin bana. Hennes toppar och dalar, hennes måleri och process i förhållande till andra konstnärers arbete.

    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
  • 8.
    Huttunen, Hinni
    Royal Institute of Art.
    CAN YOU PLEASE LOOK AT THIS / VOITKO KATTOO: Master essay 2018 / Hinni Huttunen2018Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [en]

    CAN YOU PLEASE LOOK AT THIS / VOITKO KATTOO is my master essay. It consists of 6 chapters in which I write about my artistic practise and my work around a series of works titled 52 WEEKS AND WORKS and my examination exhibition SELF-PORTRAITS / FOR FAT GIRLS / PORTRAITS.

    Download full text (pdf)
    HUTTUNEN_ESSAY
  • 9.
    Kihl, Emma
    Royal Institute of Art.
    A4-arket2013In: OEI, ISSN 14045095, no 62, p. 329-339Article in journal (Other (popular science, discussion, etc.))
  • 10.
    Kihl, Emma
    Royal Institute of Art.
    Kritik: Pappersarbete: om A-formatet och drömmen om den perfekta informationshanteringen2017In: Ord och bild, ISSN 0030-4492, no 1Article in journal (Other (popular science, discussion, etc.))
  • 11.
    Klasson, David
    Royal Institute of Art.
    Masteressä David Klasson Kungl. Konsthögskolan2018Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Download full text (pdf)
    Masteressä David Klasson
  • 12.
    Kominis Endresen, Tomas
    Royal Institute of Art.
    SIX MINUTES OF FRESHNESS2016Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    https://vimeo.com/142533096</p

    Every time I am on an elevator or an airplane there is always someone right behind me, or beside me, that is coughing or sneezing. That is implied in the film with the use of, among other sounds, a sneeze, that speaks about the uncontrollable. So there are definitely contradictions with these railings, as they are an idea of a support structure that in practice doesn’t really work. And this recurs in the video work where you’re trying to clean a piece of acrylic glass which, in itself, is an impossible task. As soon as you try to clean it you get marks on it. It’s an unprotected surface as soon as you pull off the plastic film and even if you leave it on when the pane is scratched marks build up under it.

    Download full text (pdf)
    Conversation with Tomas Kominis Endresen
    Download (jpg)
    Installationsvy från SIX MINUTES OF FRESHNESS
    Download (jpg)
    installationsvy
    Download (jpg)
    Ain´t no magic
    Download (jpg)
    installationsvy
    Download (pdf)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
    Download (jpg)
    bild
  • 13.
    Long, Christopher
    Royal Institute of Art.
    Hushed Birds In a Shrub: About Painting But Not In Painting or The Surface of an Object Which Makes it More Than and Stops it from Being More Than It Is2019Other (Other (popular science, discussion, etc.))
    Abstract [en]

    A text in which 4 objects are described. An octopus, the Ghent Altarpiece, a quilted ball, the Handbook of Diseases of the Skin. And 4 quotations are presented.  Newt Gingrich, Donald Rumsfeld, Robert S Macnamara,  Slobodan Milosevic. Political leaders responsible for wars.  Their descriptions of borders, distinstions, definitions.  

    A book (Handbook of the Diseases of the Skin) which is described in the text and is integral to the work is in the library of KKH (the Royal Institute of Art, Stockholm)

    Download full text (pdf)
    fulltext
    Download (zip)
    bild
  • 14.
    Lundgren, Lisa
    Royal Institute of Art.
    Målningens scen2019Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Download full text (pdf)
    fulltext
  • 15.
    Lövheim, Ivar
    Royal Institute of Art. 1983.
    Beskrivning av marken2019Independent thesis Basic level (Higher Education Diploma (Fine Arts)), 5 HE creditsStudent thesis
    Abstract [sv]

    I denna text försöker jag beskriva vad jag tänker kring mitt måleri och hur jag använder mig av mina synintryck. I bearbetningen av intrycken upplever jag att det inte finns några barriärer mellan det ena och det andra, så när det fungerar bra är en målning en uppvisare av vad perceptionen håller på med. Den spelar fritt. Den far runt hur den vill. Målningen kan hamna nära min visuella uppmärksamhet.

    Download full text (pdf)
    fulltext
    Download (jpg)
    Dokumentation från utställning
    Download (jpg)
    bild
  • 16.
    Rafferty, Fiona
    Royal Institute of Art.
    Probe2018Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [en]

    24 chapters - frames to a second/ hours to a day. This essay is an enquiry about my artist partice, reflections and thoughts around and connected to it. 

    Download full text (pdf)
    probe
  • 17.
    Stjerne, Olle
    Royal Institute of Art.
    Master essay2018Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [en]

    In this essay my aim is to understand the machinations of the action of taking a photograph and putting it in circulation, and what the role of a sculpture becomes in a world where this is possible.

    In a general sense, how does instant representation through photography activate sculpture? Can sculpture change photography, or is the connection a one-way feed? Can it be that this connection determines our lives to such an extent that the success of one medium informs the strength of the other?

    Download full text (pdf)
    Master Essay
  • 18. The Abounaddara Collective,
    et al.
    Nitsch, Katarina
    THE QUESTION OF THE RIGHT TO THE IMAGE2019Book (Other academic)
    Abstract [en]

    THE QUESTION OF THE RIGHT TO THE IMAGE

    A book edited by The Abounaddara Collective with Katarina Nitsch, supported by the Swedish Institute.

    Since the birth of photography, individuals have defended their image in the name of property rights or the right to privacy. But these rights don’t protect the world’s most vulnerable citizens whose indignity is exhibited on the screens of the world in the name of the freedom of media. How can we conceive of a more just right to the image, based on the equality in dignity of all the citizens of the world?

    Download full text (pdf)
    fulltext
  • 19.
    Trogen Devgun, Lisa
    Royal Institute of Art.
    Business Lingo Word From Notes Commentary2019Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [sv]

    Detta verk är baserat på mina anteckningar som använts för få fram ord som ofta återkommer i mitt konstnärskap och texter jag läser. Utifrån dessa ord har jag valt att kommentera på två sätt, dels så som stora företag och marknaden använder sig av dessa ord, dels min egen kommentar utifrån där jag står. 

    Jag har valt att sätta ihop allt i en form som liknar en mindmap där allt är sammanflätat och det inte finns någon börja och inget slut, vilket reflekterar logistik sätt att verka. 

    I slutet finns en kort beskrivning av ett av mina senaste verk där jag blandat företagsanda och kritik på samma gång.

    Download full text (pdf)
    fulltext
  • 20.
    Versteegh, Axel
    Royal Institute of Art.
    The smile that hides the soul2018Independent thesis Advanced level (degree of Master (Two Years)), 10 HE creditsStudent thesis
    Abstract [en]

    An artist essay written by Axel Versteegh regarding his artist practice and his graduation show at Galleri Mejan in February 2018

    Download full text (pdf)
    fulltext
    Download (jpg)
    The smile that hides the soul
    Download (jpg)
    The smile that hides the soul
    Download (jpg)
    The smile that hides the soul
    Download (jpg)
    The smile that hides the soul
    Download (jpg)
    The smile that hides the soul
    Download (jpg)
    The smile that hides the soul
    Download (jpg)
    The smile that hides the soul
  • 21.
    Ga, Ellie (Artist)
    Royal Institute of Art.
    Strophe, A Turning2017Artistic output (Unrefereed)
    Abstract [en]

    Ellie Ga’s Strophe, a Turning (2017) opens with the artist quoting the Russian poet Osip Mandelstam who compared launching a message in a bottle to the act of writing a poem to an unknown reader. Taking cues from both a bottle at sea and the beachcomber who eventually happens upon it, Ga initially developed the work out of her interest in how drifting objects have been used to chart sea movement. But her willingness to drift and follow uncertain turns, carries her unexpectedly to the Greek island of Symi, and then to the shores of its neighbor Lesvos, during the summer of 2015. Ga is confronted by the mutable context of these islands, and decides to join a team of volunteers aiding asylum seekers and refugees—a definitive turning point at which she is forced to wrestle not only with the poetics of accidental drift and the new discoveries it beckons, but with urgent political and humanitarian

    realities with which she confronts, processes, and situates within a nuanced and complex history of endurance, faith, and indeed, chance.

    Download (mp4)
    Strophe, A Turning
1 - 21 of 21
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
v. 2.35.10