This meta-research essay – is a part of and parallel to – my MFA project at the Royal Institute of Art. It implies there is an important nothing to be found between the ink on the paper, between the frames of the film, between a thought and the following thought, between the eye and the I. I thoroughly observe my “I” in the process of writing, while my notes take the form of a broken film manuscript.
The story, all names, characters, and incidents portrayed in this script are non-fictitious.