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Critical Images 2018/2019
Royal Institute of Art.
2019 (English)Collection (editor) (Other academic) [Artistic work]
Abstract [en]

Facing a world of images, how canartists think of new modes of production and distribution of images so that all humans can be equal before the image?

During the past two years, Critical Images has gathered artists and scholars to investigate how fair representation can be guaranteed in a hyper-mediated world. 

This publication consists of the first attempts to investigate and thereby contribute to the question of the right to the image by the participants of Critical Images 2018/19. 

 

Place, publisher, year, edition, pages
Stockholm, 2019, 1. , p. 167
Keywords [en]
Critical studies, Critical images, Hyper-mediated world, Modes of production
National Category
Arts
Research subject
Fine Art
Identifiers
URN: urn:nbn:se:kkh:diva-466ISBN: 9789198545623 (electronic)OAI: oai:DiVA.org:kkh-466DiVA, id: diva2:1327399
Available from: 2019-06-19 Created: 2019-06-19 Last updated: 2019-06-19

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fulltext(3240 kB)32 downloads
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File name FULLTEXT01.pdfFile size 3240 kBChecksum SHA-512
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CiteExportLink to record
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Citation style
  • apa
  • harvard1
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Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
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  • Other locale
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Output format
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